Kaitana Magno
Movement is in Kaitana’s blood. Born to two dancers and lifelong teachers, she was raised in studios where rhythm, discipline, and expression weren’t just practiced; they were lived.
She trained in classical ballet under Irina Kolpakova, Vladilen Semionov, Wes Chapman, and Darla Hoover, joining her first touring ballet company at just eleven years old. That early leap onto the world stage set the tone for a dynamic and expansive career.
Her path led from the concert stage to the world of immersive theatre and large-scale production. She served as Worldwide Artistic Director for an international theatre of varieties, Associate Director of New York’s Off-Broadway sensation Queen of the Night, and co-founded her own production company. She directed Carmen, To Havana and Back, hailed by Forbes as “New York’s hottest new immersive show,” and has curated high-profile work across New York, London, and Dubai.
After sustaining injury, Kaitana found her way to yoga and somatic practices. There, she discovered not just recovery but the deeper power of presence. That discovery became her mission: to help others fall in love with movement, not as performance, but as a return to self.
Her classes and experiences are fully curated to support this. They blend sound, breath, strength, and softness to invite people into their bodies and into the moment with honesty, rhythm, and care.
Jimmy “TapZ” Sutherland
is a tap dancer, percussionist, composer, and sound artist whose career began at sixteen, performing professionally in New York City. He trained under the legendary Henry LeTang, mentor to Gregory Hines, Savion Glover, and Debbie Allen and carries forward a lineage rooted in rhythm, precision, and soul.
His work has spanned collaborations with Grammy-nominated artists like House of Waters and Cyrille Aimée, appearances at Lincoln Center and the Museum of Modern Art, and choreography featured at Radio City Music Hall. Alongside his creative partner Kaitana, he co-founded their production company, producing Carmen, To Havana and Back and a critically acclaimed immersive adaptation of A Midsummer Night’s Dream, described as “better than Broadway.”
Jimmy’s artistry bridges rhythm and healing. Through tap, sound therapy, and musicality training, he invites others into an embodied conversation where music becomes a universal language felt as much as heard.